Gabriella Crespi bamboo and rattan furnishings by Gubi

Gabriella Crespi rattan household furniture is revived by Gubi

Danish household furniture firm Gubi honours Gabriella Crespi on what would have been the late designer’s 100th birthday (17 February 2022), with the reissue of a home furnishings collection very first conceived in the 1970s. Dubbed ‘Bohemian 72’, the collection of rattan garden home furnishings embodies Crespi’s vision for a refined and calm life-style, and proves the designer’s modernity 50 yrs soon after its creation. 

The parts, comprising a lounge chair, 3-seater couch, ottoman and flooring lamp, were being designed by Crespi for private customers, and never ever place into creation or readily available to the community. With each other, the layouts converse of her fascination with cultures and philosophies from the Significantly East, and her fascination in working with pure, humble products in a innovative environment. The styles originated on Crespi’s terrace on a summer day, and have been section of a broader series of household furniture styles in bamboo and rattan. 

Lounge chair, from $2,999 

This is the initially time Gubi has presented Crespi’s layouts, which be part of a portfolio of layout reissues by some of the most celebrated names of the earlier, from mirrors by Gio Ponti to lights by Greta Magnusson Grossman and furnishings by Pierre Paulin, as properly as modern day is effective by major designers of right now, which include Gam Fratesi and House Copenhagen. 

‘Gabriella Crespi had a big expertise for navigating the areas in between indoor and out of doors and never ever allow nearly anything block the light and air flowing by her possess house,’ feedback Gubi’s chief advertising officer, Marie Kristine Schmidt. ‘It is our pride and privilege to be bringing the get the job done of this sort of a design and style icon into generation for more persons to take pleasure in.’

Ground lamp, $1,299 

Although rattan was a common material for furniture in the 1970s, Crespi’s idea of making a modular style by repeating the coiled vines was ground breaking for the time, and the pieces’ reissue 50 decades right after their development proves her ability to make timeless works. The assortment is also section of Crespi’s ambition to create what she known as ‘the home of the sun’, an setting that blended heat and sophistication.

‘I couldn’t assistance but do it with rattan and bamboo, elements of which I’m pretty fond and that blend strength and adaptability, the heat of mellow tones, and the potential to be operate via by light,’ claimed Crespi of the selection. ‘Very extended spokes give an impact of the infinite and indeterminate just as cane thickets that increase towards the sky do in character.’ §